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Oliver Marchant

Description

A collection of film-based pieces exploring the ways in which the future is imagined, and the ways in which these visions can fade in the face of real events. We are presented here with questions of reality and truth in filmmaking, and are asked to question existing relationships between image and sound. A sense of the technological possibilities currently at the disposal of the filmmaker are evoked. This is an excursion into “performance-cinema”, probing into the death of pop in an isolationist, future society.