bytebeat

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The work described here has not before been presented in Culture Lab. This is an example of minimal coding. This single line of C:

main(t) { for (t = 0; ; t++) putchar(t*((15&t>>11)%12)&55-(t>>5|t>>12)|t*(t>>10)*32); }

when compiled produces looped output, which when interpreted as RAW audio gives a kind of minimal techno.

The code is generated using a bash script and compiled on the fly using the clang LLVM compiler.

FIN8010: Morse Code Workshop

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Following on from the recent MFA/CAPs group show at the Old Low Light in North Shields I delivered a Morse Code Workshop for year five and six pupils from Redesdale Primary School, Wallsend on Friday 26th May. Pupils also made seagull models from milk cartons and gutted fish on the quayside.

Material Potential 17-03-10

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The photograph shown below was taken by Tom Schofield. It shows two Telegraphic works which I presented at the Digital Cultures Research Group curated event Material Potential on the 10th March 2017. The first work is a meccano beacon, which uses a USB relay to flash Morse code messages; the second work is a command line recreation of a Wheatstone Cooke Five Needle Telegraph.

DMS8012: The Late Shows 17-05-20

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I built an array of meccano controllers for this evening of live electronics. Pictures can be seen here:
devices

In the words of Oscar Wilde “To expect the unexpected shows a thoroughly modern intellect.”. Unfortunately my thoroughly outdated intellect did not anticipate a darkened room and the performance suffered from the fact that I could not see to plug anything in. Fortunately I had a MIDI controller available which I could use instead.

Images of patches used in the performance are shown below.

The audio files linked below were created in rehearsal for the event.

I also presented an FM radio transmission work, an extended version of which will be presented in Culture lab on the evening of 30th May.

HSS8121: Media Archeology

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After reading Wolfgang Ernst’s Sonic Time Machines a process of practical engagement was undertaken to better understand the underlying methodology. This coincided with preparation for an exhibition at Hoults Yard. The work to be shown required the use of a number of vintage radios. These needed to be cleaned and mended in advance of the exhibition. The process of dismantling and cleaning was documented. Photographs can be seen by viewing the links which follow:

HSS8121: Location Recordings

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The sound recordings included in this post were produced on 11th Feb this year, in response to a soundwalk/seminar delivered by Tim Shaw. They were not edited until April/May. They consist of a series of location recordings of footsteps made around the Culture Lab building. The recordings were made as an experiment. A handheld Zoom H1 recorder was used to make the recordings. The recordings reflect the position of the artist. The locations change, but the action remains constant. Listening back to the recordings one is immediately aware of the changing space, through the differing reverberant qualities of those spaces. This awareness brings to mind Zeno’s paradoxes and Henri Bergson’s ideas of Duration.

footsteps #06

footsteps #07

footsteps #08

footsteps #09

footsteps #12

footsteps #11

footsteps #10

footsteps #13

footsteps #14

footsteps #15

footsteps #18

footsteps #17

footsteps #16

footsteps #19

footsteps #20

footsteps #21

footsteps #22

footsteps #26

footsteps #27

In responding to the recordings a series of layered remixes were created. Experiments were also made playing the sounds back into the space where they were recorded.

footsteps (remix)