Robert Fairthorne and Brian Salt Equation X+X=0 1936
5 minutes. Collection: BFI National Film & Television Archive

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Robert Fairthorne and Brian Salt Equation X+X=0 1936
5 minutes. Collection: BFI National Film & Television Archive

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Roger F. Malina – Limits of Cognition: Artists in the Dark Universe
I heard on QI that the most species ever found weren’t in the Amazon but were in a woman’s back garden in a surburb in London ( can’t find this little factoid to verify it) Apparently – She studied her garden for 50 years solid and the longer she looked the more she found…
Still very interested in the idea of the internal landscape Anais Nin brings it all into focus
What is the link between outer space and our inner space?
CHAPTER 19
Meditation and the Neuroscience of
Consciousness: An Introduction
Antoine Lutz, John D. Dunne, and Richard J. Davidson
Abstract
The overall goal of this chapter is to explore
the initial findings of neuroscientific research
on meditation; in doing so, the chapter
also suggests potential avenues of further
inquiry.
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From universalyoga.com
The breath is related to the following accompanying factors: acoustic vibrations, temperature, internal pressure, forward signals and feedback signals, smoothness of the breath and characteristics of the respiratory pathways.
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From universalyoga.com
The process of breathing is closely related to the state of consciousness, and its characteristics determine the quality of the psychic-energy structure of a man. It can be said that the rhythms of the breath and the consciousness are similar. Therefore, in order to achieve the principal goal of Yoga, which is the stabilization of consciousness, it is absolutely necessary to completely master the breath.
Through conscious control of breathing, one can directly affect the state of consciousness, and can cause specific effects such as stopping or accelerating the work of the heart, brain, blood, nervous, lymphatic and endocrine systems, and restoration of the organism and the accumulation of the life-power also.
When considering the process of breath, it is essential to understand the wave-like process with which all laws of the wave theory operate. The investigation of various breathing characteristics, rhythms and accompanying processes forms a complete breathing system (to the extent the wave theory is complete). This system consist of all types of breathing rhythms and exercises can. And includes, not only rhythms and exercises discovered empirically and practiced by different world schools, but also that rhythms and exercises which have been overlooked and have been unknown until now.

In the process of breathing , the internal volume (V) of the lungs changes with the passing of the time (T). And different characteristics of the breath are described by such characteristics as the depth (amplitude) (A), frequency (B), correlation of the time of the inhalation (C) and of the exhalation (D), volume of the lungs after the full inhalation (E) and after the full exhalation (F).
The «normal» unconscious breath of a man is controlled automatically by a subconscious program. Its pattern is set by the brain’s breathing center, and is usually close to the harmonic sine curve (Fig. 30). The duration of the inhalation and the exhalation in such breath is approximately equal, and there are no delays between the inhalation and the exhalation.
The practice of Pranayama in Yoga implies conscious control of the life-power flow during the process of breathing by controlling the parameters of the breath. In this case any type of breathing, where different characteristics are controlled consciously, is called Sahita Pranayama. And any automatic breath is called Kevala Pranayama and, in addition to «normal» breathing, it can comprise any type of Pranayama with different automatic breathing characteristics, reduced to automatism which do not require conscious control.
1. Harmonious breathing
Harmonious breath is breathing in which the duration (T) and the depth (V) of the inhalations and the exhalations are equal (V1 = V2 and T1 = T2) .
Harmonious breath is called Sama Vritti Pranayama.
2. Shift in the Range of Breathing
A shift in the range of breathing, with respect to the preset «normal» volume of the lungs after a full inhalation (E), and after a full exhalation (F), an increase of volumes (V1 + 1 and V2 + 1), or a decrease (V1 – 1 and V2 – 1) may occur.

A shift in the range of breath towards an increase in the volume of the lungs after full inhalation and full exhalation occurs, for example, upon the practice of psychic-energy exercises actuating the upper energy centers (Chakras) during the breath at the marginal point of the inhalation. Whereas the shift of breath towards a decrease of the volume of the lungs occurs, for example, during the practice of Asanas with deep forward bends, back bends and to the sides, and twists of the spine, compressing the thoracic and abdominal cavities.
3. Temporal Correlation
Temporal correlation between the duration of the exhalation (T1) and the duration of the inhalation (T2) may change both towards longer inhalation (T1>T2) and towards relatively longer exhalation (T1
Breathing with different temporal correlations is called Visama Vritti Pranayama, which has numerous variations of the correlation and is widely used in the practice of Yoga.

4. Breath Delays
The breath may be delayed after the inhalation (T1) and after exhalation (T2). According to the temporal correlation, they may be equal (T1 = T2) or different. Delays after the exhalation are longer than after the inhalation (T1 < T2), or the delays after the inhalation are longer than after the exhalation (T1 > T2).

Breathing with delays is called Ujayi Pranayama; it is also widely used in Yoga practice, and has a number of variations differing in the presence of stops and the temporal correlation of the delays after the inhalations and after the exhalations.
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Alan Wallace Online
www.alanwallace.org
Personal website of Santa Barbara Institute founder and president B. Alan Wallace, Ph.D., a prolific writer on consciousness studies, Tibetan Buddhism and related subjects.(see Alan Wallace’s Teaching and Lecture Itinerary)Podcast Series
Carstensen Life-Span Development Lab (Stanford)
www-psych.stanford.edu/~lifespan
Research focused on the social, emotional, and cognitive processes that people use to adapt to life circumstances as they age.
Center for Mind and Brain (UC Davis)
mindbrain.ucdavis.edu
A scientific research center dedicated to the understanding of the human mind: how it evolved, develops in individuals, and arises from the myriad mental functions that humans possess.
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neuroscience of meditation.pdf
| Dhyana-Yoga is a Sanskrit word for the ancient discipline of meditation, as a means to Samadhi or enlightenment. Samadhi is a self-absorptive, adaptive state with realization of one’s being in harmony with reality. It is unitive, undifferentiated, reality-consciousness, an essential being, which can only be experienced by spontaneous intuition and self-understanding. Modern neuroscience can help us to better understand Dhyana-Yoga. This article discusses topics including brain-mind-reality, consciousness, attention, emotional intelligence, sense of self, meditative mind, and meditative brain. |
Elizabeth Gould overturned one of the central tenets of neuroscience. Now she’s building on her discovery to show that poverty and stress may not just be symptoms of society, but bound to our anatomy.
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Google Tech Talks – February, 28 2008
the crossroads instituteGolfer receives neurofeedback during putting practice.
Feedback is delivered to golfer until they reach their personal optimal golfing mindset.

Rational Mysticism: Dispatches from the Border Between Science and Spirituality
By John Horgan pg 71
A Secret History of Consciousness By Gary Lachman
I’m digging for visual ideas and spending some research time to look at pertinent visuals, signifiers, symbols, and colour to guide a visual language, to create a synthesia for the viewer and the yogic experience. Beginning with the obvious visuals I’m going to start picking apart key elements and signifiers to develop and abstract.
notes on third eye…
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Hairfield VII from Marcus Graf on Vimeo.
http://www.camilleutterback.com/untitled5.html
http://www.brown.edu/Research/dichtung-digital/2006/01/Dorin/index.htm
Camile Utterbacks’s Interactive Installations from GAFFTA on Vimeo.
Utterback’s innovative fusion of visual and physical, hand crafted and technological, is closely aligned with the early experiments of Oskar Fischinger, Hans Richter, and Walter Ruttman who, armed with new moving-image technologies, abandoned static painting and looked instead to animation or “living abstraction.”
By John Geirland
The Dalai Lama has a cold. He has been hacking and sniffling his way around Washington, DC, for three days, calling on President Bush and Condoleezza Rice and visiting the Booker T. Washington Public Charter School for Technical Arts. (Continued)
My current Max patch sounds like a…
wayward Llama coughing up a ginourmous cheese ball, so I thought I would cool my Max jets, and take a break with a refreshing 10 minutes of temazepam-style drawing of shapes and colours. In this blissful ten minutes I’ve drawn out what I want the sensor data to convey in Processing. My end goal and I’m looking forward to it, is visualising the ATP process (the creation of energy cells) in a sensor driven Processing animation. However for the purpose ( I love that word in Geordie – pourpus) of the Basic Techniques presentation and to establish some grip on processing – I’m going to acquaint myself with the sensor data making circles and affecting some of their parameter/s. click the pic.
Basic Techniques progress so far…
So….I’ve got a framework set up which allows me to send sensor data via Arduino through to Max (using Arduino2Max) The data is then being pushed through to Processing (using OSC and OSCp5 and CNMAT’s Max objects) this structure is sending a stream of data into both Max and Processing which I now need to work on to create meaningful audio and visual representations.
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Oskar Fishinger
Biosensers and feedback systems
http://nagasm.suac.net/ASL/NIME03/index.html
Processing visualisation ideas
200 Nanowebbers from Semiconductor on Vimeo.
Realtime interactive psychedelic fluid simulation with processing
Pi @ Glastonbury
Samadhi: Documentary of a Human Soul
Jordan Belsonhas made me want to get my yoga practice in shape and rather than wire up someone else, wire myself up…
For two years, from 1966 through 1967, assisted by a Guggenheim Fellowship, Belson subjected himself to a rigorously ascetic Yoga discipline. He severed emotional and family ties, re-duced physical excitements and stimulations (not going to go that far), reversed his sensory process to focus exclusively on his inner consciousness and physical resources. Samadhi evokes the ecstatic state achieved by the meditator where individual consciousness merges with the Universal.
“I hoped that somehow the film could actually provide a taste of what the real experience of samadhi might be like. It’s a
documentary of the human soul, The experiences which led up to the production of this film, and the experiences of making it, totally convinced me that the soul is an actual physical entity, not a vague abstraction or symbol. I was very pleased when I finally saw how concentrated, how intense, Samadhi is because I knew I had achieved the real substance of what I was trying to depict. Natural forces have that intensity: not dreamy but hard, ferocious. After it was finished I felt I should have died. I was rather amazed when I
didn’t.”
What we “know” conceptually has far outstripped what we experience empirically. We are finally beginning to accept the fact that our senses allow us to perceive only one-millionth of what we know to be reality—the electromagnetic spectrum. Ninety-nine percent of all vital forces affecting our life is invisible. Most of the
fundamental rates of change can’t be apprehended sensorially.

Tom Taylor bought an old receipt printer hooked it onto an arduino and made a social printer, open to the web so anyone can post messages to it. At set times it fetches and prints stuff from the web, diary dates, weather reports and netball scores…
We like “things” — books, the plastic arts, schwag, otherwise cheap souvenirs that become valued artifacts — because they
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Basic Tech of IM
Processing & Visuals
Thinking of using the human cell process of creating ATP to inform an algortihm and the consequent graphic visualization in processing. Might be because I’ve been looking at Haeckels drawings and I’m interested in drawing out what is around that isn’t usually seen. Part of the Yoga practice is to generate heat in the body and ATP is in part responsible for this (Continued)

loading images Processing
Fraggles
copied code – but I made it ‘pretty’
First watch the Yoga Daddy David Swenson
http://www.youtube.com/watch?v=1UcIn2W6ghw
(bored with pan pipes? scrub along half way to see this guy really move)
Primary Series is a responsive biofeedback installation. Biofeedback is the use of instrumentation/sensors to feed back information about the psychophysiology – mind and body of a human being to him or herself and in this installation also to an audience.
Primary Series is a live performance from an Ashtanga yogi who’s movement and sensory data will be collected during an hour and a half Ashtanga yoga sequence called the Primary Series. The Yogi’s sensory data wil be abstracted to create an AV installation of sound and visuals in real-time to express or experience an idea of consciousness.
Ladeez & gentlemen- The Colonel Parker Trackmate dance floor…

http://trackmate.sourceforge.net/
- LusidOSC: an OSC based protocol integrating different types of tangible and touch interfaces ( Reactable, TUIO, Ms Surface, AudioPad, NUI Group, etc…)
http://lusidosc.sourceforge.net/
http://www.instructables.com/id/Trackmate_How_to_make_simple_tagged_objects/
http://www.instructables.com/id/Trackmate_Portable_Plexi_Cliffhanger/
Here’s my elastic chicken patch - elasticchickendance
I made the chicken dance iancurtis_style but then wanted to see if I could use audio pitch and speed in an elastic patch to sync with and affect the movie – some key elements missing – can’t seem to get any further any ideas much appreciated.
Basic Techniques of Interactive Media (week 1)
Module Position Statement:
Artists need technology. Technology needs artists.
Just watched David Hockney’s doc ‘The Secret Knowledge‘ - in which Hockney presents the idea that the old masters were essentially tracing images. I’d always thought those Renaissance fellas were just damn good drawers… according to Hockney they were using cutting edge technology.
The Hockney-Falco thesis suggests (Continued)
Week Four: Wave Theory
Quick experiment with Flash actionscript and waves
- The code on the movieclip dynamically positions the clip along the sine curve to give a wave effect – the sliders control the frequency and amplitude
Is this a direct line? click here>
Think I might try and do the same with some sound on this
Check out the book Flash Math Creativity for more of these – this was taken from Lifaros and his Flash and code ideas