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Defining Home—-Chapter 8: Special Collections 之 20th Century Pamphlet Exhibition

Full contents can be found:

The Special Collection Case @ Robinson Library, N.C.L.



In order to let the <20th Century Pamphlets> (the name of one special collection in the library) souvenirs be clearly noticed by the visitors, including the bookmarks, the brochures and the postcards. It would be helpful if each of the three glass boards is moved up until the top one reaches the ceiling of the case. Then Unload the top one and reload it above the ground of the case in a position where it can separate the current layout on the ground floor, and the ones going to be exhibited, namely, the Prototype. Thus the Prototype will be shown on the new second floor counting from the ground.









The current structure makes it easy to adjust due to its flexible assembly on the wall. Simply pull it out and then plug into a proper height following the instructions above.

The Printer Case @ Robinson Library, N.C.L.




What needs to be adjusted is the height of the two glass boards within: In order to let the Prototype exhibition (which will be put on the ground floor within the case), especially the label part (an A4 paper with about 50 degrees’ angle to the ground) be conveniently noticed from above, these two boards need to be moved up at least 10 cm.  Here is the exhibition:

Here is the detail of the label:

Here is the details of the document on the printer:

Note: N.C.L. is short for Newcastle University upon Tyne

1644 In-Situ: Homeoffice

Image from:

Above WAS what happened in Far East. Here, <Far East> is used to show a geographically European centred perspective. The reason lies that the server of this blog is currently provided by a European country and its institution.

This may be what happens to Newcastle:

A. D. 1644/04/25——a day to be remembered.

Recommended reading:


Automobile Advanced: Decoration and Ritual


While wheels make an automobile civic, decorations add the ritual element—that’s the one function of decoration: They can be holy, supreme and innocent.

See this happy couple is going to be married. Ahead of it is a happy route towards the eternal…

Cinematography 3: Back to the Seriousness

Click here to view the embedded video.

Comparative architecture:

Semper’s Misinterpretation: The classic discourse by Semper about how to anatomize architecture, namely, the four elements including the hearth, the enclosure, the roof and the mound seems to be inappropriate when applying to Asian architecture, though he did made several examples from China. Furthermore, he elaborated this framework into his emphasis on tectonic thinking, which have been cited by the followers naming it “joint”—-this, however seems to be similar to the essence of ancient Chinese architecture.

  The integration: Unlike what Semper has asserted that the four elements manifest themselves as separated in China, the joint, most typically called mortise and tenon, shows its significance in connecting them, though many parts of them are hidden into the interior of a building (see below the parts underneath the roof that connect the beams and pillars). Thus rather than separating among one another, these four elements have been integrated by the joint, though in an implicit and invisible way from outside.

(Adapted from:

        The flexibility: Semper emphasizes the order in the real world that affect the organization of architecture, the order between the ruler and the ruled. Then he makes comparison to it on flexibility and agility and asserts they don’t exist in China. In fact, in China the flexibility is as common as the order and the joint part is exactly its manifestation. The barriers below are mainly comprised of the cuboids and the cylinder wooden dowels—as the joints. Though the latters are just the fake mortise and tenon, they do show some flexibility like the adjustment of the height, and the direction, depending on how the holes are drilled, and how many cuboids are used.

Back to the Seriousness:

Why are films made?—-to record something in order to remember perhaps.

Then what should be remembered in terms of the Ancient Chinese architecture—-these mere structures, or the creators of these structures?

Structures can still be found, at heritage sites, or be replicated,  based on sketches but those people—they will never be alive forever.

They should be remembered.

However within these group, people are not that the same, in terms of their background and social status. What’s more, they conflict against each other, just because of the social hierarchies. Then how  to incorporate them within one film and achieve the harmony?

It starts with the upper (at the post’s beginning),

and it might be harmonized through adding subtitles and sound effects.


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