The Eye Resonator by Brigitta Zics and John Shearer is an interactive aesthetic ecosystem that applies generative visualisation technology responsive to affective states of the participants through reading their eye gaze.
The group show explores different interpretations of the concept of prototype and is part of Thinking Digital Art 2014.
This project critically evaluates leap motion’s performance in detection of various types of tremor possibly being a complication of neurological disease e.g. the Parkinsons’ disease.
‘The Reversed Eye’ is a wearable cheek-controlled device, which could make participants readapt their own bodies in everyday life by providing them unfamiliar vision.
What if we can turn an image into sound and motion?
Antiphonal is a two site multi-channel audio installation of poetry and field recordings.
‘Optimism Skywards’ is an installation artwork which intervenes in participants’ twitter messages to the Angel of the North by giving them physical form and firing them skywards in an optimistic attempt to get them closer to the angels.
Perceptual Mismatch Gloves provides novel self-perceptual experiences for participants.
Spirit Exposure is a series of data visualization experiments which visualize the space through the representation of people’s motion.
Saṃsāra Eye is a responsive space which provides sound and visual feedback to the viewers.
Networked Living Laboratories for Enhancing Collaborative Production of Digital Art is an ongoing project by the Digital Media research group.
TEDDI-Sensor Data Visualisation from Ping Yeh Li on Vimeo. This project by Jiun-Shian Lin and Ping-Yeh Li visualises the real-time data of TEDDI sensors in Kings Gate Building, Newcastle University.
This data visualisation artwork (iPad App) by Brigitta Zics and Pengfei Zhang creates an imaginary universe to render the secret life of the satellite Masat-1 (which means ‘smudge’ in Hungarian) that was launched into low Earth orbit on 13 February 2012.
Neurotic Armageddon Indicator V1.0 from tom schofield on Vimeo. Neurotic Armageddon Indicator (NAI) is an installation artwork that visualises the ‘Doomsday Clock’, a symbolic clock maintained by an academic journal, ‘The Bulletin of Atomic Scientists’.
Data is Beautiful was an International Symposium and Exhibition in Data Visualisation at the Doctoral School, Hungarian University of Fine Art Budapest organised by the Digital Media research group.
Null by Morse is an installation artwork that uses smartphones to translate historical morse messages sent by an antique signal lamp.
TraceNorth is a data visualisation public art work by Brigitta Zics and Tom Schofield that re-image the city’s life through organic representation of traffic data.
Mark Inscriber, 2012 from tom schofield on Vimeo. Mark inscriber is a data sculpture/sonification project.
Trigger Shift is a series of workshops and performances using xBox Kinect as a gestural performance tool.
The Nightingallery is a responsive animatronic bird enacting the interactor’s voice.
IMMERSE by Surface Area Dance Theatre ( Ben Freeth & Nicole V. Watson) re-imagines our conventional understanding of a brass instrument in a wearable technology performance that senses the dancer’s muscle tension, body temperature and motion.
Data Elements is an ongoing data visualisation screening project at Kings Gate initiated by Digital Media.